For twenty years I have made the graphics that dress television and film sets — signage, props, magazines, packaging, logos, animation. If a character reads a newspaper, walks past a storefront or opens a box on screen, someone designed that. Often it was me.

Alongside that I draw comics, write screenplays, publish zines and build coloring books under Planet Color. That work started first, as an underground cartoonist, and it never stopped.

The work moves between the two constantly. A caricature drawn for a prop magazine cover turns into a cast portrait. A coloring book becomes a drawing app. Comics I self-published in the nineties taught me the printing conventions I later had to fake for a prop comic that was supposed to be from 1948. None of it stays in its lane, and that has always been the point.